This is a simple OpenColorIO configuration for intermediate to advanced imagers using Blender’s Cycles raytracing engine.
This OpenColorIO configuration adds a closer-to-photorealistic view transform for your renders. For imagers working with non-photorealistic rendering, it also will bring significant dynamic range and lighting capabilities to your work, as well as potentially open up correct transforms for rendering to HDR displays and other such forward looking technology. It is as close to a Magic Button™ you can get for an experienced imager.
This repository is ready to use right now, with no compilation or special Blender application binaries required.
Because the basic sRGB EOTF was never designed for rendering and should be avoided. This configuration is a step towards providing imagers with a reliable View transform and a Look set useful for modern raytracing engine CGI, animation, and visual effects work with real-world cameras.
- Download this repository. Replace your current OpenColorIO configuration in Blender with this version.
The Blender OpenColorIO configuration directory is located in:
Move the existing
colormanagementdirectory to a backup location, and place the contents of this repository into a new
Optionally, instead of replacing the actual directory, use the envrionment variable to specify where the OCIO configuration lives:
- From within the Color Management panel, change the View to your desired contrast level and render.
Once you have Blender utilising the configuration, you are free to render away. You may discover that some of your materials were broken due to exceptionally low lighting levels, and may require reworking. General PBR advice holds true when using wider and more photographic illumination levels.
Additional Information and Technical Details
The basic kit of weaponry includes:
A set of View transforms that include:
- sRGB EOTF. This is an accurate version of the sRGB transfer function. This is identical to what imagers would use as the “Default” View transform in Blender proper. Should be avoided at all costs for CGI work. Useful in some edge cases.
- Non-Colour Data. This is a view useful for evaluating a data format. Do not expect to see perceptual values however, as it is literally data dumped directly to the screen. Use this transform on your buffer, via the UV Image Viewer Properties panel, if your buffer represents data and not colour information. This will keep it out of the OpenColorIO transformation pipeline chain and leave it as data.
- Linear Raw. This is a colour managed linearized version of your data. For all intents an purposes, will look identical to Non-Colour Data, but applied to colour based data such as an image.
- Filmic Log Encoding Base. This is the workhorse View for all of your rendering work. Setting it in the View will result in a log encoded appearance, which will look exceptionally low contrast. Use this if you want to adjust the image for grading using another tool such as Resolve, with no additional modifications. Save to a high bit depth display referred format such as 16 bit TIFF. This basic view is designed to be coupled with one of the contrast looks.
A set of Look transforms that include:
- Greyscale. This Look is based off of the Filmic Log Encoding Base and will deliver a weighted greyscale version of the image. The weights used are for REC.709 RGB lights, which are the same lights specified in sRGB.
- Five contrast base looks for use with the Filmic Log Encoding Base. All map middle grey 0.18 to 0.5 display referred. Each has a smooth roll off on the shoulder and toe. They include:
- Very High Contrast.
- High Contrast.
- Medium High Contrast.
- Base Contrast. Similar to the sRGB contrast range, with a smoother toe.
- Medium Low Contrast.
- Low Contrast.
- Very Low Contrast.
False Colour. This Look is an extremely useful tool for evaluating your image in terms of the dynamic range and latitude. It is a colour coded “heat map” of your image values, according to the following codes:
Value Colour Scene Referred Value Low Clip Black Scene Referred Linear value below 0.0001762728758. -10 EV Purple Scene Referred Linear value 0.0001762728758. -7 EV Blue Scene Referred Linear value 0.001404109349. -4 EV Cyan Scene Linear value 0.01124714399. -2 EV Green Scene Referred Linear value 0.04456791864. 0 EV Grey Scene Referred Linear value 0.18009142. +2 EV Green Scene Referred Linear value 0.7196344767. +4 EV Yellow Scene Referred Linear value 2.883658483. +5.5 EV Red Scene Referred Linear value 8.150007644. High Clip White Scene Referred Linear value above 16.29174024.
Grading Your Work
Given that images generated under Cycles are scene referred, many nodes in Blender, being broken, will not work properly. This may have been hidden if one used a range that perfectly mapped to the display referred domain such as the sRGB EOTF, however using a proper View transform exacerbates this brokenness.
There are a good number of nodes that work absolutely fine. For grading, it is highly encouraged to use the ASC CDL node, as it operates on scene referred imagery perfectly well. It is in the Color -> Color Balance node. Do not use the Lift, Gamma, Gain default as it is strictly a display referred formula and will break on scene referred imagery. Instead, change the drop down to ASC CDL and use the Slope, Offset, and Power controls to perform grading.
Almost all of the Adobe PDF specification blend modes in the Mix node are also display referred and are broken for Cycles rendering. That includes but is not limited to Overlay, Screen, and other such modes.
Viewing in Other Applications
If you wish to tag Filmic still imagea for properly colour managed viewers, an ICC profile that uses REC.709 primaries, white point, and specifies a 2.2 power function is appropriate. Elle Stone has such a profile located in her GitHub. The canonized sRGB ICC profile is not a match. Simply assign the profile to your generated image. Do not convert.
Please post any and all issues to the issue tracker at GitHub.